Sunday, October 31, 2010

COBRAAAAAAAA!






Something out of the ordinary that I did about a month ago. I love action figures and ever since I was a kid I wanted to be a toymaker, working on wargame mini's is about as close as I've gotten until now, (at least with me knowing about it.) For those who don't know there is a bit of an action figure customization community out there and there are several online shops who specialize in making parts just for that. I got approached by Alyosha from Broken Arrow Toys http://www.brokenarrowtoys.com/cart/index.php to help out with making a convention exclusive that will premiere next UnCon. Based off of a picture of Cobra Commander taking out his frustrations on a puppy here are some WIP pics from Broken Arrow on how the figure turned out.
If you are interested in action figure customizing I suggest checking out these sites...

http://www.jinsaotomesdangeroustoys.com/

http://www.brokenarrowtoys.com/cart/index.php

http://www.fortune3.com/SDS/

http://www.skintuckyfried.com/dmc/dmcdirect.htm

http://hunterartworks.ecrater.com/

http://www.marauderinc.com/servlet/StoreFront

http://www.cobrastickers.com/

Tuesday, October 26, 2010

Merc jacks part II


The first jack I did for PP was the Grundback Gunner, a wee chap who people on the forums call "gun bunnies." I as mentioned in the previous post I like to make figures pose-able and since I knew these guys would be fielded in groups I made sure there was plenty of ball and sockets on them. (Kinda hard to make a dynamic figure when all you have to work with is legs but I did my best.) Something I suspected but was never told was the possibility for weapon variants so I made sure the gun was separate. The one thing that I find odd is that every picture I have seen of the figures they are leaning back as if they are looking up at something. Its weird to me because all the art had them leaning down with their head closer to the ground and their ass up like a sprinter getting ready to bolt. Oh well. The guns for the Blaster version of this jack was done by a different sculptor, I don't know who otherwise I would give him credit for it.
The Basher, my boy! One of my own designs and I'm pretty happy with how he turned out. Back in January of '08 Ron hit me with three jack sculpts at once and all were of the highest priority, Normally it takes me about a month and a half just to get one done but I had three to do in the same amount of time. Needless to say it was the first deadline I missed. I make jacks bass-ackwards from doing monsters; with monsters I build the armature and add the muscle mass so by the end of it I know what the figure looks like and then cut it up for molding but with jacks I have to do all the bits separately and then fit them together after the fact. So I had a lot of failed pieces that were either too big or just not shaped right. While waiting for some putty to cure I started to fiddle around with the scrap bits, putting them together and I started to get a shape I was liking. After an evening of thought I got the epiphany of doing a Rhulic jack and began constructing the bits for a big two legged engine.
Since almost all Rhulic jacks are practical and functionary devices turned into something to be used on the battlefield this guy had to be the same. So the story I had was that down deep in the mines before the tunnels were shored or had the wench systems for the ore carts these jacks were used to drag out the heavy stuff, effectively mini locomotive engines with legs they would haul out the rubble and ore carts to the higher levels. One of their quirks was that they were single minded and bad tempered, something to do with the low grad cortex they were given but they were notorious for injuring inattentive jack marshals. Stomping on toes or shouldering workers into walls as they tromped up and down the shafts. Some of the ideas I had for the rules was that they could tow larger jacks into battle faster allowing the more heavy jacks to get out on the front lines quicker. The other was a ramming attack, the idea was that every round they stayed in motion their distance would increase incrementally as would their damage but it had to be in a forward cone like direction.
Since I'm not a rules guy they changed much of it but kept the spirit which pleased me (they were only ideas anyway) and they added (and subtracted) some detail to the figure. A front boiler plate was added (makes no sense to me as the boiler is in the back and a front mounted one is a big weak point in the armor) the grenade launchers were also put on his sides (I like that) but they took out the joint I put in the knees and tilted his toe talons up instead of digging into the ground. The knees is what bugged me the most but luckily I made a RTV mold of it before I sent him off so I have plenty of ultra positionable Bashers for me.
This guy and Mulg are the only figures I have designed for PP so far.
Pictures by Privateer Press, paint by Team Mcvey

Merc jacks part I



Uuuuugh. Need a break from sculpting... so I'll talk about sculpting instead, not much of a break. The Nomad was the second warjack I did for PP and the Mule followed right behind. Some of you may have seen what the artwork the sculptors work from look like by checking out Chris Walton's stuff http://christopherwalton.daportfolio.com/ and its an excellent example of what passes for the norm but the art that I got for this project was from Brian Snoddy, http://www.snellsoftware.com/briansnoddyart/ a totally cool guy who I still work with and occasionally hang out with from time to time. The difference in the art is that Brian's was more of a drafted technical drawing with front, side and back views. There was no action pose, parts breakdown request or anything like that; in short, I had free reign to come up with what I wanted to.
whenever I can get away with it I like to put in ball and socket joints or pivots allowing the customers the option of posing them and giving the figure their own personal touch. Its what I like when I buy a mini and I think it helps break up the rank and file look of an army if you end up fielding more then one. After talking with Mike McVey about what would look suitably dynamic I set to work. Jacks, mecha and tech looking stuff is not my strong point, it takes forever for me to get it done as I tend to file, cut and sand to shape the pieces rather then just sculpting them. This is the only way I've been satisfied with to get that sharp and hard look for metal. So, after a month I had the Nomad up and going and within another three weeks or so the Mule.
Pictures by Privateer Press, Paint by Team McVey

Sunday, September 19, 2010

Bull Snapper


Latest from Privateer Press, a little(ish) guy for me. I didn't hear any complaints from their end so I guess it went into production without a hitch, whitch, considering the drastic twist in the body I'm kinda surprised. Concept art by Chris Walton who is no longer working directly with PP unfortunatly. But, we are still working together, Mua-ha-ha-ha!
Pictures by Privateer Press, paint by Privateer Press paint crew

Friday, August 27, 2010

So... I worked on a line of toys?




A while back I got an emergency call from Matt Wilson who had a friend that needed some sculpts done ASAP, I said sure (I could use the money) and got sent some concept art for a super secret project. After it was all done I didn't hear anything about it, I had no idea what I worked on or if it was even released to the public. Today I was scooting around Toys R Us and something caught my eye in the discount section. Something that looked strangely familiar. Turns out I worked on something called Nanovor by smith and Tinker; some kind of Pokemon, Digimon-ish game where you can collect wee beasties and have them battle each other via cards or small electronic devices. One of the two sculpts i did is called "Electropod" and is released, the other called "Plasma Lash" and I have no idea if he is out yet or ever will be, considering that I found it in the discount bin I'm guessing sales are not the best. Still, totally odd stuff

Sunday, August 15, 2010

Stitchupmahbutt

Quick-ish post as I am supremely busy at the moment. The Bloat Thrall is one of the few Cryx figs I worked on, originally it was sculpted by another artist but PP was not happy with the final project so they gave the job to me. I was in the mold making department at the time so this guy had a tight deadline and it had to be done on my spare time. The tough bit about it was how big this guy is. I mean, he has a lot of mass all the way around, huge pieces lead to deformations in the molding process but at the time it seemed unavoidable. Not only that but all that pewter balanced on those spindly legs... Geah! One of the fun things was that the back detail only showed from the lower back up and me with my logic decided it made seance that if this guy was a giant skin sack holding caustic fluids that you would want all orifices that didn't lead to the gun closed off, right? So, stitch up his butt. I didn't think too much of it at the time but I guess it ended up being kind of a big deal, sorta like the junk on the original Dire Troll Mauler. I think Matt makes sure that any concept art I get now has any ambiguous spots on the sketches clearly detailed.
Pictures provided by Privateer Press, painted by Team McVey

Monday, July 26, 2010

Frankenswine




Here is the latest figure (that I can talk about) that I did for Privateer Press; the War Hog. It's rare that I feel good about my sculpts after finishing them, they usually look like so much chaos with an upwards of four to five different mediums to get the desired effects. It isn't until after PP posts pics of the finished painted figure that I end up feeling a little better about it. This guy was an exception and I had a satisfied feeling of accomplishment once he was ready for shipping, but that didn't mean that I was without doubt...
For me, when sculpted a monster its fairly easy. I make the armature, bulk up the body and start the anatomy. By the time I get to doing the details like hands, face armor, etc. I already have a good idea of what he looks like overall. When sculpting a jack its bass-ackward; all the pieces are done separately and then put together to make (I hope, I hope) the finished figure. Things get more difficult when you end up with one piece that acts for both a left and right part to get a complete picture of the figure as a whole. The War Hog was something of an amalgam of both which ended up with me putting in late nights and early mornings questioning my skills and choice of vocation. All the cybernetic limbs had to be sculpted first, assembles onto a piecemeal armature and then the meat parts sculpted around it. If I screwed up the scale of the limbs it would mess the whole thing up.
I was even more happy to see the painted pics, the painting crew at PP did a great job. I hear this mini is going over decently with the Warmachine/Hoards players so I'm looking forward to lurking about on the forums to see what kind of paint jobs and conversions people will do to him.

Picture provided by Privateer Press, painted mini by Privateer paint team, concept art by Chris Walton